not, he seems to be underscoring the incongruity between the over-wrought, perhaps incommunicable seriousness of his intentionshis having reach a point where language seems no longer to sufficeand the triviality of the devices to which he turns. Mink attempts to cover up the evidence; he kills Houston's hound and hides the body. Indeed, one can anticipate scores of critical essays which will trace the ways in which each incident in the trilogy contributes to the total scheme, and which thereby will create the false impression that a satisfying congruence exists between the conceptual design and the novels. Gold, Joseph (Winter 1962). But they have to be torn out of context.
2 Paul Levine has discussed the recurring themes of love and money in the course of the trilogy. Chapter TWO, part 1, ratliff is introduced, claims he knew Ab a long time ago. Godden, Richard (Summer 2003). Flem is making usurious loans to Negroes;.O. She makes money by keeping house at a boardinghouse and by prostituting herself. But mainly he was off the ground. Ratliff, a sewing machine agent, admires Flem Snopes conning abilities, yet has something of a conscience and despises Snopses's inhumanity. That Flem Snopes, of all the marvelous monsters in American literature, would end up seeming shadowy and vaguewho could have anticipated this?